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It packs a lot of punch for its size, and since it’s a stomp box, you don’t have to worry about a range of movement when pairing it with your whole line. If you’re an effects pedal junkie, this little classic will fit right into the rest of your crowd without making you give up any major space. You’ve got your drive, your tone, and your level, and mixing those will give you all the distortion you want without compromising your tone.
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With just three knobs (gain knob, tone knob for fulltone, etc…), this pedal’s controls are a model of less is more.
#IBANEZ TUBE SCREAMER SERIAL NUMBER SEARCH DRIVER#
What are the technical specifications of the Ibanez Tube Screamer and the Boss BD-2 Blues Driver pedals? We’ll give you our verdict, but don’t be afraid to try them both for your own best sound. They’re both established brands with sterling reputations, so we’re going to get into the details of how each pedal handles, sounds, and costs.
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The Ibanez Tube Screamer and the Boss BD-2 Blues Driver are two pedals that we’re looking at today. What are two common overdrive pedals still used today? Once most amp didn’t depend on tubes anymore, players who liked the overdrive sound developed effects pedals that could replicate it through whatever amp they wanted to use. Guitarists found that when they increased voltage gain and that would, you guessed it, overdrive the original broadcasted sound via amp. The effect of overdrive was invented when tube amplifiers (tube amp) were how guitarists got their music to the audience through the drums and horns that were plentiful in popular music at the time. Overdrive is commonly used in blues and other music that wants an extra emphasis without taking the showcase away from the music note tones themselves. Overdrive pedals are grouped with distortion effects but offer a warmer sound than hard clipped variations, such as grunge and heavy metal effects. The name of the effect comes from the use of volume variation that “overdrives” the soundwaves in sync, so you have to play at a louder volume to hear the true effect. It works by using soft clipping, which means it keeps the shape of the soundwaves intact, and the overall tone of the notes stay basically the same as they travel from the instrument to the distortion pedal. That means it adds gain, or increases the volume, to specific parts of the instrument’s output at mathematical intervals. Overdrive is one of the most common forms of distortion. You’ve probably heard that term before and might have even used it yourself already – but what does it actually mean? One variation of this range of possibilities is called overdrive. Fiddling more with math and pitches distorts the original sound wave still more, so the original tone gets fuzzier in specific ways that are programmed into the distortion pedal. This is what makes the “crunchy” sound many distortion pedals are famed for displaying, and it’s achieved by the distortion device playing the same tone as the instrument at a higher frequency (true bypass). This doesn’t make a largely noticeable change in the sound, especially if played at a soft level.īut hard clipping is a variation that chops off the tops and bottoms of the sound waves, which means the climbs and drops of the tone are more abrupt. Soft clipping is a way of suppressing the signal so that the rounded peaks and valleys of the signals are preserved. The way this is done is called clipping, and the method of clipping determines the type of distortion. This means the tops and bottoms of the waves are pushed down into the threshold zone of the device. These naturally forming waves and troughs exceed the threshold of the device that is broadcasting them into the air, so the first step in distortion is called clipping. Picture each pluck of a guitar string producing an up and down wave with rounded shapes that crest and bottom out at the same ratio. “Significant” is a subjective measure, of course, but for guitar pedals, the variation is not so much a bending of the tone itself as a crunching of the audio waves. Distortion is an audio phenomenon that means any significant variation on the direct signal of note to noise that comes through the vibrations an instrument makes. There is a lot of variation that goes beyond the two pedals we’ll be reviewing today, so if you want to learn more, look around on here or any other guitar playing forum and you’ll get all the answers you need.įirst of all, we’ve got to get into a little bit of science – physics, to be exact. To know what you want in a pedal, you have to know how they work, so we’re going to give you a primer.
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